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Atomos Ninja V+ Pro Kit

195,000

-27%
  • Panel Type : IPS-Type LCD
  • Display Size : 5.2″ / 13.2 cm
  • Resolution : 1920 x 1080
  • Touchscreen : Yes
  • Built-In Speaker : None
  • Memory Card Slot : None
  • Battery Type : 1 x L-Series

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Atomos Ninja V+ Pro Kit

In The Box

  • Ninja V+ unit (RAW over SDI Pre-Activated)
  • H.265 (HEVC) codec Pre-Activated
  • AtomX SDI module
  • EVA Carry Case
  • 5″ Slip Case
  • Battery Eliminator
  • International DC Power Supply
  • Master Caddy II x 1
  • DTap Cable x 1
  • AtomX 5″ Sunhood x 1
  • Quick Start Guide

Features

The next level

  • The Ninja V+ Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. With all the power of the Ninja V+ for 8Kp30, the Pro Kit adds 4Kp120 and 2Kp240 continuous recording via SDI. The Ninja V+ takes advantage of new Atomos Silicon AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.

Ninja V+ Pro Kit and 4Kp120

  • The Ninja V+ Pro Kit comes packed with camera accessories and enables 4Kp120 ProRes RAW recording mode from the SDI RAW output of the Sony, FX9* and FX6. Both Atomos and Sony users will now be able to experience the benefits of working with images at a high frame rate and resolutions, whilst recording in pristine ProRes RAW.

Professional Accessories

  • Combined with the AtomX SDI module and some serious tuning under the hood, the Pro Kit provides the ability to record RAW over SDI from some of the best compact cinema cameras on the market. No RAW, no problem. The Ninja V+ monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder.
  • Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig, and can also use a battery eliminator for studio power. Pro Kit also includes a AtomX 5” Sunhood providing increased monitoring options outdoors and reduced ambient light for when monitoring in HDR.

Powerful & versatile I/O

  • Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide off board 10-bit 422 recording in edit ready codecs or as proxy files from RED or ARRI cameras allowing the file naming and timecode to also be applied to the recorded files. And of course, the Ninja V+ also provides support for RAW over HDMI from our ever-growing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E2 Series, Nikon Z Series, LUMIX S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.

The Flexibility to Suit any Production

  • In playback mode the Ninja V+ Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.

HDMI-to-SDI cross conversion

  • Adding the SDI module to the Ninja V+ Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

The ProRes RAW Advantage

  • ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever-growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.
  • The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.
  • Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

The Pro Kit offers 3 ways to power your Ninja V+

  • In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V+ and with the international power plugs you’ll be covered wherever your work might take you.
  • On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.
  • On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.

Specifications

Physical Specifications
Dimensions (W x H x D mm) : 151 x 91.5 x 31mm (Ninja only)

Weight : 360g / 12.7oz

Mount points : 1 x Anti rotation 1/4" / 3/8 top and bottom

Environmental
Ambient operating temperature : Up to 40°C

Construction and Control
Body : Aluminium with ABS plastic

Cooling : Actively controlled fan and heat sink

Tally light : Rear and front

Multi-function button : Power / lock screen

AtomXpansion slot : Yes

Power
Input voltage : 6.2V to 16.8V

Operating power : 5.8-7.2V

Compatible batteries : NPF L series

Built in battery : No

Battery Run time (Record) : 5200mAh - up to 2hrs (monitor & record 4K 60p)<br/>7800mAh - up to 3hrs (monitor & record 4K 60p)

Continuous power : Via Optional AtomX SYNC Module

DC in connector : Via DC Jack on Battery Eliminator

Dtap : Battery Eliminator and D-Tap to DC cable (included)

Display
Touchscreen : SuperAtom IPS panel (capacitive touch)

Size : 5.2"

Resolution : 1920 x 1080px

PPI : 427

Bit depth : 10-bit (8+2 FRC)

Backlight Type : Edge lit

Brightness (cdm2 / nits) : 1000

Aspect ratio : 16:9

Color Gamut : Rec.709

Calibration support : Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Color Pipeline
Gamma : Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Olympus OM Log, Lecia L Log

Gamut : BT2020, DCI P3, DCI P3 D65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut

3D LUT Display : .Cube Format

3D LUT Down Stream : Loop out

3DLUT 50/50 : Yes

Monitoring Modes : Native / HLG / PQ / 3D LUT

HDR output Conversion : Log / HDR to HLG / PQ / Dolby Vision

Video Input
HDMI : 1 x HDMI (2.0) 4Kp60

HDMI RAW : ProRes RAW up to 8Kp30

SDI : 2 x 12G SDI Backwards compatible (Auto detection) via included
AtomX SDI module

SDI RAW : Yes ProRes RAW up to 6K (NOTE: Sony FS700, FS5, FS7 supported from 10.71)

Bit Depth : 8/10-bit Video / RAW up to 16-bit

Video Chroma Subsampling : 4:2:2

HDCP copy protection : Not supported

Metadata
HDMI : RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut

SDI : File name via SDI for Arri and RED

Video Output
HDMI : 1 x HDMI (2.0) 4Kp60

SDI loop out : 1 x 12G SDI via included AtomX SDI module - level A and B selectable

SDI Play out : 2 x 12G SDI via included AtomX SDI module - level A and B selectable

Video Chroma Subsampling : 4:2:2

Bit Depth : 10-bit video

Web Streaming
USB UVC : Optional via Connect 4K

Video Signal Conversion
HDMI to SDI : Yes - Video and RAW

SDI to HDMI : Yes - Video and RAW

Audio In/Out
Audio Quality : 24/48KHz

Audio Codec : PCM

HDMI : 8ch 24-bit, input dependent

SDI : 12ch 24-bit, input dependent

Analogue Audio in : 3.5mm 2ch.

Analogue Audio Out : 3.5mm 2ch.

Headphone out : 3.5mm 2ch.

Timecode / Sync
Embedded : HDMI and SDI

Time of day : Yes, Time and Date

LTC : via 3.5mm audio Jack input (Requires post processing)

Wireless SYNC : Via Optional AtomX SYNC Module

Resolution and Frame Rates (Record, Monitor & Playback)
8k : RAW Only up to 30p via HDMI

6k : RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)

5k : RAW Only up to 30p via HDMI

4k DCI : 23.98/24/25/29.9/30/50/59.94/60p - HFR 100/120 via RAW over HDMI & SDI on selected cameras

4k UHD : 23.98/24/25/29.97/30/50/59.94/60p - HFR 100p/120p via RAW over SDI on selected cameras

2K DCI : 2046 x 1080 23.98/24/25/29.97/30/50/59.94/60p - HFR 100p/120p/200p/240p via RAW over SDI. HFR 100p/120p over HDMI on selected cameras

Anamorphic : 3.5K: RAW up to 60p (from supported cameras only)

FHD 1920 x 1080 Progressive : 23.98/24/25/29.97/30/50/59.94/60/100/120p

FHD 1920 x 1080 PsF : Converted to P and looped out PsF

FHD 1920 x 1080 Interlaced : 50/59.94/60i

1280 x 720p : 50/59.94/60p

Recording CODEC
Apple ProRes RAW : ProRes RAW, ProRes RAW HQ

Apple ProRes : LT, 422, 422HQ

Avid DNxHD : DNxHD 220x, 220, 145, 36 (Activation required visit my.Atomos.com)

Avid DNxHR : LB, SQ, HQ, HQX. (Activation required visit my.Atomos.com)

H.265 : LQ, MQ, HQ in 8/10-bit, 4 2 2 and 4 2 0

Playback
Playlist : Yes, create custom playlists from full or sub clips

Loop : Yes, with user customizable in / out markers

Apple ProRes Raw : Yes, recorded clips

Apple ProRes : Yes, with Linear PCM audio

Avid DNx : Yes, with Linear PCM audio

H.265 : Yes, recorded clips (Activation required visit my.Atomos.com)

Recording functions
Pre-roll record : Yes (HD 8s, 4K 2s) - Not available in RAW

Timelapse : Yes

Multi Input / Switching
SDI A/B toggle : Via menu option to toggle between inputs on optional AtomX SDI module

Supported media
Master Caddy I : Not compatible

SSDmini Native : Size and Fit

CFast II : Via Supported cards via optional SSDmini CFAST II Adapter

File Naming : Scene, Shot, Take / File name via SDI for Arri and RED

File System : ExFAT

On screen tools
MultiScope Analysis View : Yes, 3 size / Position

Histogram : Yes, 3 size / Position

RGB parade : Yes, 3 size / Position

Vector scope : Yes, 2 size / Position

1 x Zoom : Yes. 1:1 Pixel mapping for 4K

2 x Zoom : Yes

Focus peaking : Colour selected / threshold setting / colour / Mono /
edges only

False colour : Yes, with Scale

Zebra : Yes, Adjustable

Isolate color channel : Blue Only

Cine Frame Guides : 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

Social Frame guides : 9:16, 1:1, 191:1, 4:5

Safe areas : Action and Graphic

Grid markers : 9 grid

Anamorphic desqueeze : 1.25x 1.33x , 1.5x ,1.8x ,2x

Display Flip : Vertical Only

Onboard Signal Processing
Pulldown Removal : 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)

4K UHD Downscale for HD : Loop out - 4K UHD to FHD

DCI Crop : Loop out - 17:9 to 16:9 Crop

Remote control
HDMI : Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard

SDI : SDI trigger camera selectable

Serial 2.5mm Jack : LANC control and calibration via optional USB to serial cable

Bluetooth LE : via optional AtomX SYNC module

Wireless RF : via optional AtomX SYNC module

External Device Control
Serial 2.5mm Jack : Camera control for supported cameras via optional USB to Serial Cable

Bluetooth LE : Via optional AtomX SYNC module to compatible devices

Wireless RF : Via optional AtomX SYNC module to compatible devices

Supported Applications
XML : Cut tag EDL in FCP XML

Apple ProRes RAW : Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.

Video Codecs : All applications with support for ProRes and Avid DNX in .MOV wrapper

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